Goodnight Lenin Live Review

The excitement bustling in the crammed room of the Hare and Hounds is hard to snub as Birmingham band, Goodnight Lenin are back in their hometown for an exclusive one night only gig. Gushing fans bearing cheesy grins and cold pints know they’re in for a treat as they gather to the front of the stage for the special evening.

Support act Mellow Peaches bring warmth to the room performing wholesome and hearty acoustic tracks to the brimming audience. They respectfully settle their enthusiasm and display gratitude to the duo’s efforts till their headlining heroes appear.

 A note is yet to be played but the delighted audience cheers regardless as Goodnight Lenin take to the stage with a thriving track list of past EP favourites, as well as introducing latest material from upcoming album with opening track; Laughter from a Younger Age.  The golden five some happily chat to fans with grounded confidence, charming everyone with plenty of between-songs banter and appreciative ‘thank yous’.

A tightly polished and high-spirited performance is dished out, reminding the audience how much the down-to-earth Brummie lads have blossomed since their YouTube kitchen kickback days, surging them head-first into unstoppable folk-fanatic success.

Goodnight Lenin Interview

Goodnight Lenin

Birmingham band GOODNIGHT LENIN make a welcome return in their home city this weekend with a headline show at the Hare & Hounds. With a new single, EP and their debut album in the pipeline, frontman John Fell tells Ivy Photiou why the time has come to show what they are really about.

“We were going out on the road ourselves and it was slowly spreading around the country, but to go on tour with someone like Beth [Jeans Houghton & The Hooves of Destiny] and performing in front of 400 people just after her album release and appearance on the Jools Holland show was an amazing expe- rience,” says frontman John Fell, reflecting on their numerous musical highlights from the past couple of years. “We did Moseley Folk festival in 2010, so going back this year to hopefully play on the main stage is a great pleasure, especially at an event like that.”

Squeezed into their bustling and seemingly never-ending touring schedule is an exclusive, one night only gig at the Hare & Hounds especially for their hometown fans. As Birmingham’s music scene flourishes with national acclaim greeting the likes of Peace, Swim Deep and Troumaca, John insists coming back to perform in Birmingham is more exciting than ever.

“It’s the most enjoyable thing,” he says. “We don’t play so often in Birmingham and we’ve done it on the basis of making sure each show is special, such as playing at the cathedrals and churches at Christmas [Goodnight Lenin performed sell-out shows at St Paul’s Church in 2010 and Birmingham Cathedral in 2011]. It’s great that Birmingham has these bands with different sounds and when you throw us into the mix as well it shows that there’s diversity — which is what this city is all about.”

Even between all the touring and EP releases, John takes great pride in revealing that the long talk of a debut Goodnight Lenin album is finally true, which thankfully seems to be just in the nick of time as he confesses fans were beginning to feel frustrated (“Which is why we chose to do the Hare & Hounds too, before we get shouted at!” he jokes).

“In October we’re releasing another single and video, December we’re releasing a winter type EP and between all that we’ll be recording our album which should be out in March next year. We’ve finally found the way we like to record now, based on a 1970s ‘playing live’ style. It will be a thicker American sound like Garfunkel and not really anything like our EPs. A lot of thought has gone into it so it will be interesting to see the reaction.”

For John, the full length album will also be a chance to carve out a breakaway sound all of their own, hopefully free from the lazy folk comparisons which have inevitably followed them, due in no small part to their emergence at the same time as the rise to stardom of modern folk sweethearts Mumford & Sons. Despite their own insistence on being more closely aligned with the likes of Elvis Perkins and classics such as Bob Dylan, John says their own album will be a chance to show what they are “all about.”

“Yeah, I think when a band is playing live and releasing the odd track, people aren’t going to get the full picture of what they’re all about. We ended up shooting ourselves in the foot by releasing the most Mumford & Sons-type songs. For some unknown reason we’ll listen to our music in the studio, agree on what we sound like and then end up not releasing it! But that’s exactly what the album is going to do. It will be a collection of songs that are exactly all about us and hopefully stop any more misleads.”

Their live shows, dashed with humour and plenty of between-song banter, and down- to-earth manner leave audiences relaxed and engaged and behind their fruitful success so far still lies an honest, earthly manner about Goodnight Lenin as they continue to set their standards high with admirable future goals, ensuring that more harmony-soaked, toe tapping, folk fun goodness can certainly be expected.

“The perception of us is quite strange sometimes; I think people think we’re a lot bigger than what we are,” John says. “Nothing but hard work goes into what we do with 14 to 15 hours a week outside work. We put a lot of effort into what we do. In terms of where we are now, I don’t think we’ve even started yet. We’ll always be trying to change and improve ourselves. Our goals next year are to mainly get the album out and just be happy with it, to play a sell-out show in Birmingham and hopefully push ourselves further into bigger festival slots with the help of the album. Just writing good music too.”